A guide REVIEW
Thunder On Stage : A work of Girish Karnad's Plays C.L. Khatri & Sudhir K. Arora (Ed). Book Enclave, Jaipur, India, 2008, Rs. 695 ISBN-978-81-8152-222-1
Girish Karnad (1938) is often a significant name in Indian English drama. Fresh enriched the Indian drama by his dramatic skills. He wrote plays first in the adopted language Kannada and translated almost all of then into English. His originality as the dramatist will depend on his extraordinary skill utilizing myth, background and folktale to make the drama lively and thought provoking. This anthology contains 25 scholarly papers which papers make expose study of Yayati, Tughlaq, Hayavadana, Bali : The Sacrifice, Naga Mandala. Tala-Danda. The flames as well as Rain. The Desires of Tipu Sultion. A heap of Broken Images and Flowers. Dr. Khatri and Dr. Arora make us comfortable with Karnad within the scholarly written Preface, "for his contribution to literature, he got many prestigious award that are included with : Mysore State Award for Yayati (1962), Government of Mysore Rajyotsava Award (1970), Sangeet Natak Akademi Award for Play writing (1972), Padma Shri (1974)" "Writer in the Year" Award from Granthaloka Journal of the Book Trade for Taladanda (1990), the Karnatak Sahitya Akademi Award for Creative Work for Nagam and ala (1992), the B.H. Sridhar Award for Taledanda (1992), the Padma Bhushan Award (1992) ...... the Sahitya Academy Award for Taledanda (1994), the Gubbi Veeranna Award (1997), the Bhartiya Jnanpith Award (1999) and Kalidas Samman through the Government of Madhya Pradesh (1999)." Inside the first paper in the anthology entitled "Girish Karnad : The individual and then the Play Wright", Dr. Khatre presents the marathon odyssey of Girish Karnad. "Karnad dreamed of being a poet of English but he became a play Wright in Kannada and Indian English of par excellence. His plays became an epoch making both critically and in stage production." The paper entitled 'Brecht's Non-Aristotelian Theory of Drama and Dramatic Art of Girish Karnad' by Dr. R.N. Rai explores Brecht's theory of drama and compares it when using the dramatic art of Girish Karnad. "Brechtian in fluency on Karnad made him sharply aware of the theatricality imaginativeness and inherent power the Indian theatre. It sensitised him to the rich potentialities of non-naturalistic techniques of our traditional theatre. Admitting Brecht's have an effect on his dramatic works Karnad remarks that "Brecht's influence, received mainly through his writing and but without the benefit for his theatrical productions, went somehow in making us realize what is finished the style of traditional theatre." (Karnad, 14) The last paper by Dr. Jyoti Gupta and Dr. Sushma Sharma entitled 'Existentialism in Girish Karnad' Yayati presents existentialism in the play Yayati'. S.T. Kharat explores evil deception and violence in Karnad's play Tughlaq within the play ' The Projection of Evil, Deception and Violence in Girish Karnad's Tughlaq' "The play is thus loaded with intrigues machinations, blood-shed, terrible murders, violence and horror. There is a long chain of deception and violence. Seven to eight major characters are killed and countless people die throughout the exodus." Dr. Rajendra Prasad Y. Shinde presents Tughlaq being a political saga in their scholarly paper "Tughlaq : A modern play by Girish Karnad." Dr. N.K. Neb has raised some issues about the dramatisation from the failure inside the play 'Tughlaq' as part of his paper entitled "Girish Karnad's Tughlaq : Dramatiesation in the Failure of Dialogical co-existence.' "The failure for the dialogical discourse that occurs is based on Tughlaq's centralising perspective. Even an play Wright usually realise this." Another scholarly paper entitles "Displaying the theatrical Effectiveness : (Re-) cording through Methods in Girish Karnad's Tughlaq forces the theatrical effectiveness from this play. Dr. G.S. Jha presents Karnad's Haya-vadana to provide a post colonial text is his scholarly paper entitled "Girish Karnad's Hayavadana : An article Colonial Fruition'. "Post-colonialist, despite all controversies includes the question of identity, alienation, moral code, fulfillment, mythological orientation, gender placement, meta-physical dualism, neo-colonial dialectic etc, Karnad plays with historical and mythological episodes to prove his typical post-colonial stature." Dr. A. Vanitha throws light on the magic realist attributes in Hayavadana (1975) in her paper "The Third Eye Vision in Girish Karnad's Hayavadana'. Dr. Kumud Agarwal presents Hayavadana as evolutionary medium in the paper "Evolving the individual : A text on Girish Karnad's Hayavadana as Drama of Evolutionary Impulse in Man." Binod Mishra presents scholarly paper entitled "Girish Karnad's Bali : The Sacrifice : A voice of Reason against a saga of Myth." "Thus we find that Karnad's Bali in accordance with spiritual rifts between two religion us sects challenges the idiosyncratic practice and expose the hypocrisy of person to God." Dr. Anshuman Khanna presents dialogic ramifications in Karnad's Bali in his paper "Dialogic Ramifications in Karnad's Bale, The Sacrifice." Dr. Madhubala Saxena peeps into the characters of Karnad's play Bali inside her scholarly paper "Portraying the interior Lands cape : A Peep inside the characters of Girish Karnad's Bali : The Sacrifice. Dr. Shubha Mishra explores foricairlt's Parropticism in her own paper entitled" Reading and (Mis) reading Girish Karnad's, Bali : The Sacrifice, in the light of foucanlt's Panopticism.' Dr. Anupam Bansal and Dr. Satish Kumar presents women empowerment in Girish Karnad's Naga Mandala on their paper entitled "Emanicipating Women : A voice message on Women Empowerment in Girish Karnad's Naga Mandala." Dr. R.R. Priyadharshini presents archetypal perspective in their own paper entitled "Girish Karnad's Naga Mandala : An Archetrypal Perspective". Dr. M.R. Verma explores Karnad's Tale-Tale-Danda : Present ness in history : Dr. G.A. Ghanshyan and Raj Ralcha Singh explores jealousy and ego-the two important human aspects within the Fire and also Rain on their paper entitled "The Fire additionally, the Rain : Bull crap of Inflated Egos', Dr. Archana Rathore explores classical myths inside Fire and then the Rain inside her scholarly paper entitled "Vivifying the classical Myths : A phone message on Girish Karnad's. The Fire along with the Rain : Dr. (Mrs.) Gulshan Das and Ms. Tanjiem Ara Khan finds myths in Girish Karnad's 'The Fire additionally, the Rain' inside their paper "Intertextuality and Retelling of Myths in Girish Karand's The fireplace and also the Rain. This anthology contains latter scholarly papers by amongst brilliant scholars of Indian English Literature Dr. S.K. Arora. During the first paper he presents Karnad's The Desires for Tipu Sultan to be a post colonial text. "The story of Tipu Sultan clearly exhibits that the English were terrified of Tipu Sultan., alone in South India, because they were well cognizant of his capabilities and skill in handling the administration along with the immune system of his Kingdom." Dr. Arora presents aesthetics and breaking of the Ethics in Karnad's Two Monologues on his scholarly paper. This anthology is different rolling around in its own kind and both Dr. Khatri and Dr. Arora kind and both Dr. Khatri and Dr. Arora are successful for their efforts. This anthology is very important read for each avid reader and student of English literature. Even though price Rs. 695 looks quite much.
By : Dr. Ram Sharma Senior Lecture in English C-26, Shradhapuri Phase-2 Kankerkhera. Meerut Cantt - 250001 (U.P.) E-mail : dr.
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